It is where Fidel Castro raised money to overthrow Batista and where two generations of Castro's enemies have raised armies to overthrow him, so far without success. It is where the bitter opera of Cuban exile intersects with the cynicism of U.S. foreign policy. It is a city whose skyrocketing murder rate is fueled by the cocaine trade, racial discontent, and an undeclared war on the island 90 miles to the south.

Maya Angelou’s unforgettable collection of poetry lends its name to the documentary film about her life, And Still I Rise, as seen on PBS’s American Masters. “It is true poetry she is writing,” M. F.K . Fisher has observed, “not just rhythm, the beat, rhymes. I find it very moving and at times beautiful. It has an innate purity about it, unquenchable dignity.... It is astounding, flabbergasting, to recognize it, in all the words I read every day and night...it gives me heart, to hear so clearly the caged bird singing and to understand her notes.”

Winner of the 1973 National Book Award, Gravity's Rainbow is a postmodern epic, a work as exhaustively significant to the second half of the 20th century as Joyce's Ulysses was to the first. Its sprawling, encyclopedic narrative and penetrating analysis of the impact of technology on society make it an intellectual tour de force.

Salman Rushdie holds the literary world in awe with a jaw-dropping catalog of critically acclaimed novels that have made him one of the world's most celebrated authors. Winner of the prestigious Booker of Bookers, Midnight's Children tells the story of Saleem Sinai, born on the stroke of India's independence.

Among the ashes of a dying world, an agent of the Commandment finds a letter. It reads: Burn before reading. Thus begins an unlikely correspondence between two rival agents hellbent on securing the best possible future for their warring factions. Now, what began as a taunt, a battlefield boast, becomes something more. Something epic. Something romantic. Something that could change the past and the future. Except the discovery of their bond would mean the death of each of them. There’s still a war going on, after all. And someone has to win. That’s how war works, right?

Likened to the works of Faulkner and Dickens when it was first published 20 years ago, this extraordinarily accomplished debut novel is a brilliantly plotted story of forbidden love and piercing political drama, centered on the tragic decline of an Indian family in the state of Kerala, on the southernmost tip of India. Armed only with the invincible innocence of children, the twins Rahel and Esthappen fashion a childhood for themselves in the shade of the wreck that is their family.

In Dearly, Margaret Atwood’s first collection of poetry in over a decade, Atwood addresses themes such as love, loss, the passage of time, the nature of nature and—zombies. Her new poetry is introspective and personal in tone, but wide-ranging in topic. In poem after poem, she casts her unique imagination and unyielding, observant eye over the landscape of a life carefully and intuitively lived.

Over the years, and through the release of more than a dozen studio albums, Leonard Cohen gained a reputation as a dazzlingly literate and consistently daring songwriter. His status as a cult artist grew and solidified, all over the world. Now, Stranger Music brings together, for the first time in one volume, a generous selection of Leonard Cohen's song lyrics and poetry. Stranger Music reveals the range and depth of Cohen's work. It is a long-overdue celebration of his extraordinary gift for language that speaks with rare clarity, passion, and timelessness.

Good Poems includes poems about lovers, children, failure, everyday life, death, and transcendence. It features the work of classic poets, such as Emily Dickinson, Walt Whitman, and Robert Frost, as well as the work of contemporary greats such as Howard Nemerov, Charles Bukowski, Donald Hall, Billy Collins, Robert Bly, and Sharon Olds Good Poems includes poems about lovers, children, failure, everyday life, death, and transcendence.

Glowing with narrator Virginia Leishman’s finely tuned phrasing, The Djinn in the Nightingale’s Eye is the perfect introduction to A.S. Byatt, an author who continues to receive international awards and acclaim. Her wondrous fairy tales are iridescent stories full of spells, marvelous creatures, and beautiful princesses.

In two breathtakingly accomplished novellas, A. S. Byatt explores the landscape of Victorian England, where science and spiritualism are both popular manias, and domestic decorum coexists with brutality and perversion.

In her second poetry collection, Barbara Kingsolver offers reflections on the practical, the spiritual, and the wild. She begins with "how to" poems addressing everyday matters such as being hopeful, married, divorced; shearing a sheep; praying to unreliable gods; doing nothing at all; and of course, flying. Next come rafts of poems about making peace (or not) with the complicated bonds of friendship and family, and making peace (or not) with death, in the many ways it finds us.

Originally published in 1936, this is Anaïs Nin's first work of fiction. But unlike her diaries and erotica, House of Incest does not detail the author's relationships with her famous lovers, nor does it contain graphic depiction of sex. Rather, it is a surrealistic look within the narrator's subconscious mind as she attempts to escape from a dream in which she is trapped, or in Nin's words, as she attempts to escape from "the woman's season in hell." Nin's usage of the word "incest" in this case is metaphorical, not literal.

Cristina García’s acclaimed book is the haunting, bittersweet story of a family experiencing a country’s revolution and the revelations that follow. The lives of Celia del Pino and her husband, daughters, and grandchildren mirror the magical realism of Cuba itself, a landscape of beauty and poverty, idealism and corruption. Dreaming in Cuban is “a work that possesses both the intimacy of a Chekov story and the hallucinatory magic of a novel by Gabriel García Márquez” (The New York Times).

Just weeks before his death in late 2016, Leonard Cohen told The New Yorker that he was ready for the end to come. He just wanted enough time to put his last book in order. Fortunately, that time was granted. The Flame is Cohen’s eloquent farewell, a valedictory collection of lyrics and poems that maps his singular creative journey. As noted in the Rock and Roll Hall of Fame’s citation, “For six decades, Leonard Cohen revealed his soul to the world through poetry and song - his deep and timeless humanity touching our very core.”

She Walks in Beauty draws on poetry’s eloquent wisdom to ponder the many joys and challenges of being a woman. Caroline Kennedy has divided the collection into sections that signify to her the most notable milestones, passages, and universal experiences in a woman’s life, and she begins each of these sections with an introduction in which she explores and celebrates the most important elements of life’s journey.

Good Poems includes poems about lovers, children, failure, everyday life, death, and transcendence. It features the work of classic poets, such as Emily Dickinson, Walt Whitman, and Robert Frost, as well as the work of contemporary greats such as Howard Nemerov, Charles Bukowski, Donald Hall, Billy Collins, Robert Bly, and Sharon Olds Good Poems includes poems about lovers, children, failure, everyday life, death, and transcendence.

Between life and death, dreaming and waking, at the train stop beyond the end of the world is the city of Palimpsest. To get there is a miracle, a mystery, a gift, and a curse - a voyage permitted only to those who’ve always believed there’s another world than the one that meets the eye. Those fated to make the passage are marked forever by a map of that wondrous city tattooed on their flesh after a single orgasmic night. To this kingdom of ghost trains, lion-priests, living kanji, and cream-filled canals come four travelers.

Koschei the Deathless is to Russian folklore what devils or wicked witches are to Western European culture: a menacing, evil figure; the villain of countless stories that have been passed on through story and text for generations. But Koschei has never before been seen through the eyes of Catherynne Valente, whose modernized and transformed take on the legend brings the action to modern times, spanning many of the great developments of Russian history in the 20th century.

The only thing more beautiful than Beyoncé is God, and God is a black woman sipping rosé and drawing a lavender bath, texting her mom, belly laughing in the therapist's office, feeling unloved, being on display, daring to survive. Morgan Parker stands at the intersections of vulnerability and performance, of desire and disgust, of tragedy and excellence. Unrelentingly feminist, tender, and ruthless, these poems are an altar to the complexities of black American womanhood in an age of non-indictments and déjà vu.

Yasodhara tells the story of her own Sinhala family, rich in love, with everything they could ask for. As a child in idyllic Colombo, social hierarchies, their parents’ ambitions, teenage love shape Yasodhara and her siblings’ lives, and, subtly, the differences between Tamil and Sinhala people; but the peace is shattered by the tragedies of war. Yasodhara's family escapes to Los Angeles. But Yasodhara's life has already become intertwined with a young Tamil girl's.

Walt Whitman's celebrated poetry collection, read by Ed Begley.

Long ago when the Earth was flat, beautiful, indifferent Gods lived in the airy Upperearth realm above; curious, passionate demons lived in the exotic Underearth realm below; and mortals were relegated to exist in the middle. Azhrarn, Lord of the Demons and the Darkness, was the one who ruled the night, and many mortal lives were changed because of his cruel whimsy. And yet, Azhrarn held inside his demon heart a profound mystery which would change the very fabric of the Flat Earth forever.

Fantasy, love and an exuberant celebration of English life and literature, Orlando is a uniquely entertaining story. Originally conceived by Virginia Woolf as a playful tribute to the family of her friend and lover, Vita Sackville-West, Orlando's central character, a fictional embodiment of Sackville-West, changes sex from a man to a woman and lives throughout the centuries, whilst meeting historical figures of English literature.

A girl who’s always been in the shadows finds herself pursued by the unbelievably attractive new boy at school, who may or may not be the death of her. Another girl grows up mute because of a curse placed on her by a vindictive spirit, and later must decide whether to utter her first words to the boy she loves and risk killing everyone who hears her if the curse is real.

From Harriet Tubman to Assata Shakur, Ida B. Wells to Sandra Bland and Black Lives Matter, black women freedom fighters have braved violence, scorn, despair and isolation in order to lodge their protests. In A Bound Woman Is a Dangerous Thing, DaMaris Hill honours their experiences with at times harrowing, at times hopeful responses to her heroes.

As the novel opens, Artemio Cruz, the all-powerful newspaper magnate and land baron, lies confined to his bed and, in dreamlike flashes, recalls the pivotal episodes of his life. Carlos Fuentes manipulates the ensuing kaleidoscope of images with dazzling inventiveness, layering memory upon memory, from Cruz’s heroic campaigns during the Mexican Revolution, through his relentless climb from poverty to wealth, to his uneasy death. Perhaps Fuentes’ masterpiece, The Death of Artemio Cruz is a haunting voyage into the soul of modern Mexico.

Once upon a time that was called 1828, before all the living things on the land and the fishes in the sea were destroyed, there was a man named William Buelow Gould, a convict in Van Dieman's Land who fell in love with a black woman and discovered too late that to love is not safe. Silly Billy Gould, invader of Australia, liar, murderer, forger, fantasist, was condemned to live in the most brutal penal colony in the British Empire, and there ordered to paint a book of fish. Once upon a time, miraculous things happened....

One of the most recognizable young poets in America, Olivia Gatwood dazzles with her tribute to contemporary American womanhood in her debut book, New American Best Friend. Gatwood's poems deftly deconstruct traditional stereotypes. The focus shifts from childhood to adulthood, gender to sexuality, violence to joy. And always and inexorably, the book moves toward celebration, culminating in a series of odes: odes to the body, to tough women, to embracing your own journey in all its failures and triumphs.

Winner of the 1973 National Book Award, Gravity's Rainbow is a postmodern epic, a work as exhaustively significant to the second half of the 20th century as Joyce's Ulysses was to the first. Its sprawling, encyclopedic narrative and penetrating analysis of the impact of technology on society make it an intellectual tour de force.