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Choice
- A Novel
- Narrated by: Sofia Engstrand, Antonio Aakeel, Shaheen Khan
- Length: 10 hrs and 49 mins
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Publisher's summary
An ingenious, devastating, explosive novel about the ramifications of choice from "one of the most original and talented authors working today" (NPR).
"How ought one to live?" This is the question that obsesses London-based publisher Ayush, driving him to question every act of consumption. He embarks on a radical experiment in his own life and the lives of those connected to him: his practical economist husband; their twins; and even the authors he edits and publishes. One of those authors, a mysterious M. N. Opie, writes a story about a young academic involved in a car accident that causes her life to veer in an unexpected direction. Another author, an economist, describes how the gift of a cow to an impoverished family on the West Bengal-Bangladesh border sets them on a startling path to tragedy.
Together, these connected narratives raise the question: How free are we really to make our own choices? In a scathing, compassionate quarrel with the world, Neel Mukherjee confronts our fundamental assumptions about economics, race, appropriation, and the tangled ethics of contemporary life.
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By: Jason Roberts
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Fi
- A Memoir
- By: Alexandra Fuller
- Narrated by: Alexandra Fuller
- Length: 6 hrs and 24 mins
- Unabridged
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It’s the middle of the summer before her fiftieth birthday and Alexandra is just barely hanging on. Grieving her father and pining for her home country of Zimbabwe, chafing and straining against the stresses and strictures of midlife as a mother and ex-wife, and piecing her way through a disastrous relationship with a younger woman that lurches and buckles, but never quite breaks. And then—suddenly and incomprehensibly—her son Fi, at 21 years old, dies in his sleep. What happens next is what Alexandra details in this book.
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Heartbreaking and beautiful.
- By Kristin Kline on 05-25-24
By: Alexandra Fuller
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The Wren, the Wren
- By: Anne Enright
- Narrated by: Anne Enright, Aoife Duffin, Owen Roe, and others
- Length: 7 hrs and 39 mins
- Unabridged
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Nell McDaragh never knew her grandfather, the celebrated Irish poet Phil McDaragh. But his love poems seem to speak directly to her. Restless and wryly self-assured, at twenty-two Nell leaves her mother Carmel’s orderly home to find her own voice as a writer (mostly online, ghost-blogging for an influencer) and to live a poetical life. As she chases obsessive love, damage, and transcendence, in Dublin and beyond, her grandfather’s poetry seems to guide her home.
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I couldn’t get past the first hour.
- By Ruth Glass on 12-07-23
By: Anne Enright
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Lucky
- By: Jane Smiley
- Narrated by: Stina Nielsen
- Length: 14 hrs and 57 mins
- Unabridged
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Before Jodie Rattler became a star, she was a girl growing up in St. Louis. One day in 1955, when she was just six years old, her uncle Drew took her to the racetrack, where she got lucky—and the roll of two-dollar bills she won has never since left her side. Jodie thrived in the warmth of her extended family, and then—through a combination of hard work and serendipity—she started a singing career, which catapulted her from St. Louis to New York City, from the English countryside to the tropical beaches of St. Thomas, from Cleveland to Los Angeles and back again.
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The story and characters… Jane Smiley’s special talents.
- By sally campi on 06-07-24
By: Jane Smiley
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Victim
- A Novel
- By: Andrew Boryga
- Narrated by: Anthony Rey Perez
- Length: 8 hrs and 2 mins
- Unabridged
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Javier Perez is a hustler from a family of hustlers. He learns from an early age how to play the game to his own advantage, how his background—murdered drug dealer dad, single cash-strapped mom, best friend serving time for gang activity—can be a key to doors he didn’t even know existed. This kind of story, molded in the right way, is just what college admissions committees are looking for, and a full academic scholarship to a prestigious university brings Javi one step closer to his dream of becoming a famous writer.
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Lots of layers. Perfect narration of a point-of-view that becomes increasingly convincing as the story develops
- By Anonymous User on 04-30-24
By: Andrew Boryga
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What listeners say about Choice
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall
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Performance
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- David
- 06-01-24
Three Disparate Takes
“Choice” is more like three novellas than one novel, all strong and subtle. I will comment separately on each.
In the first, a man named Ayusha works in London publishing. He gradually chooses to live selflessly, eliminating meat, plastic and other modern conveniences from his life. This has an adverse impact on his economist husband Luke and their twins, Masha and Sasha. Ayusha becomes increasingly obsessed, while Luke tries to retain their careful life. The story is wild and sometimes upsetting, but Ayusha’s actions are rational from his perspective—rational but dangerous.
In the second story, a middling London professor is involved in a possible hit-and-run with her gig driver. She becomes obsessed with the driver, an Eritrean immigrant, as well as her British family’s role in India during the British Raj. She didn’t show much self-awareness, to me, and I found her choices annoying and her story the least interesting.
The third story is fascinating. An impoverished family in rural India is gifted a cow by a nongovernmental organization to lift them out of poverty. The unintended consequences are sometimes amusing, sometimes heartbreaking. As in the other stories, they raise questions about hopeful choices that result in, well, problems. The mother and her two children are beautifully drawn, fully sympathetic and good company.
Neel Mukherjee is a favorite writer. His novels are political, in the sense that governing policies and economics guide his characters, but never didactic or hectoring. He creates ethical challenges for his characters, but again he does it subtly and without bombast. Mukherjee gets people—their needs, their motivations, their frustrations. His earlier novel, “The Lives of Others,” was long but compelling, with beautifully realized characters from all economic backgrounds. “Choice” is shorter but similarly thoughtful and enjoyable.
The three narrators were uniformly excellent.
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